Head Of Ocean God Roman Mosaic Remains

Size	File Type	Pixels Inches	Price	Buy
Original size	JPG	8000 x 5333 px 26.67" x 17.78" @ 300 dpi	499.00

Aurochs From The Ishtar Gate In Babylon

Glazed bricks depicting the Aurochs, which were part of the Ishtar Gate in Babylon during the reign of Nebuchadnezzar II (604–562 BC), are significant historical artifacts. The Ishtar Gate was one of the eight gateways to the city of Babylon and was dedicated to the Babylonian goddess Ishtar. The Aurochs, a species of wild cattle, were sacred animals in ancient Mesopotamian culture and were often depicted in art and architecture. The glazed bricks with Aurochs motifs were meticulously crafted and arranged to create an impressive and ornate entrance to the city.

The God Apollo Playing The Cithara

Marble statue of Apollo as a muscular young man playing the Cithara (Apollon Citharoedus), or Apollo playing the lyre, from the Roman period, 2nd century CE. From Miletus, Balat, Turkey.

Roman Marble Bust Of Emperor Marcus Aurelius

Roman marble bust of Emperor Marcus Aurelius, who reigned from AD 161 to 180. The bust is believed to originate from the Village of Kandilli in Lamunia and is associated with the Antonine Dynasty. It is isolated on a black background, creating a striking contrast that draws attention to the details and craftsmanship of the sculpture. The bust is sculpted from marble, a popular material for creating lifelike and durable statues during the Roman era. As a work of art from the Antonine Dynasty, the bust provides insight into the artistic style and imperial portraiture of the time. It represents a significant period in Roman history and offers a glimpse into the appearance and character of one of its notable emperors.

The Evangelist Matthew Mosaic At The Catholicon Inside The Holy Sepulchre Church

In the corner of the Catholicon chapel inside the Holy Sepulchre Church in the old city of Jerusalem, a breathtaking mosaic painting of the Evangelist Matthew comes to life. The artistic masterpiece captures the essence of Matthew the Apostle, portrayed sitting on a chair with intricate details that reflect the craftsmanship of the mosaic. Matthew holds a book in his lap, symbolizing the Gospel attributed to him, and in his other hand, a feather pen poised to write. The meticulous rendering of these elements adds a sense of realism and depth to the mosaic, bringing the evangelist's persona to the forefront. Behind Matthew, the mosaic extends to depict a decorative wall of a castle building. The castle wall, adorned with ornate details, serves as a symbolic backdrop, suggesting the enduring strength and foundation of the Christian faith. An angel, perhaps a celestial messenger, gracefully hovers beside the castle, adding an ethereal touch to the composition. Atop the castle wall, the name "Evangelist Matthew" is inscribed in Latin letters, linking the visual narrative to the historical and spiritual context of the Christian tradition. The lettering serves as both an identifier and a testament to the role of Matthew in spreading the teachings of Christ. The scene unfolds as a harmonious blend of artistic expression and religious symbolism, creating a serene and contemplative atmosphere within the chapel. The mosaic becomes a visual journey into the spiritual legacy of Matthew, situated within the sacred confines of the Holy Sepulchre Church—a place that resonates with centuries of Christian history and reverence.

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Head Of Ocean God Roman Mosaic Remains