Sidamara Sarcophagus From Konya

Size	File Type	Pixels Inches	Price	Buy
Original size	JPG	5616 x 3744 px 18.72" x 12.48" @ 300 dpi	499.00

Aurochs From The Ishtar Gate In Babylon

Glazed bricks depicting the Aurochs, which were part of the Ishtar Gate in Babylon during the reign of Nebuchadnezzar II (604–562 BC), are significant historical artifacts. The Ishtar Gate was one of the eight gateways to the city of Babylon and was dedicated to the Babylonian goddess Ishtar. The Aurochs, a species of wild cattle, were sacred animals in ancient Mesopotamian culture and were often depicted in art and architecture. The glazed bricks with Aurochs motifs were meticulously crafted and arranged to create an impressive and ornate entrance to the city.

The God Apollo Playing The Cithara

Marble statue of Apollo as a muscular young man playing the Cithara (Apollon Citharoedus), or Apollo playing the lyre, from the Roman period, 2nd century CE. From Miletus, Balat, Turkey.

The Evangelist Matthew Mosaic At The Catholicon Inside The Holy Sepulchre Church

In the corner of the Catholicon chapel inside the Holy Sepulchre Church in the old city of Jerusalem, a breathtaking mosaic painting of the Evangelist Matthew comes to life. The artistic masterpiece captures the essence of Matthew the Apostle, portrayed sitting on a chair with intricate details that reflect the craftsmanship of the mosaic. Matthew holds a book in his lap, symbolizing the Gospel attributed to him, and in his other hand, a feather pen poised to write. The meticulous rendering of these elements adds a sense of realism and depth to the mosaic, bringing the evangelist's persona to the forefront. Behind Matthew, the mosaic extends to depict a decorative wall of a castle building. The castle wall, adorned with ornate details, serves as a symbolic backdrop, suggesting the enduring strength and foundation of the Christian faith. An angel, perhaps a celestial messenger, gracefully hovers beside the castle, adding an ethereal touch to the composition. Atop the castle wall, the name "Evangelist Matthew" is inscribed in Latin letters, linking the visual narrative to the historical and spiritual context of the Christian tradition. The lettering serves as both an identifier and a testament to the role of Matthew in spreading the teachings of Christ. The scene unfolds as a harmonious blend of artistic expression and religious symbolism, creating a serene and contemplative atmosphere within the chapel. The mosaic becomes a visual journey into the spiritual legacy of Matthew, situated within the sacred confines of the Holy Sepulchre Church—a place that resonates with centuries of Christian history and reverence.

Nike Bearing Date Branch Relief

This relief depicts Nike, the winged goddess of Victory, holding a branch with dates. This relief is a decorative element that adorned the entrance of the Balat Gate and dates back to the 6th century. Nike is commonly depicted in ancient Greek and Roman art as a winged figure, symbolizing victory, strength, and triumph. In this relief, she is portrayed in a majestic and dynamic pose, capturing the essence of her divine attributes. Her wings extend behind her, emphasizing her ethereal nature and association with flight. The relief's placement at the entrance of the Balat Gate indicates its significance as a decorative element that welcomes and invokes a sense of victory to those passing through. The gate itself likely held historical and strategic importance, making the presence of the Nike relief even more meaningful.

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Sidamara Sarcophagus From Konya