Marcus Antonius Gordian I Head Statue

This image portrays a grunge and weathered head bust carved from marble, representing Marcus Antonius Gordian I. The aged and worn appearance of the statue gives it a sense of antiquity, echoing the passage of time since Gordian I's brief reign in 238 AD. Gordian I and his son Gordian II were Roman emperors for only 22 days during the tumultuous Year of the Six Emperors. They were embroiled in a rebellion against the reigning Emperor Maximinus Thrax, but their uprising was ultimately crushed by loyalist forces. Following the death of his son, Gordian I took his own life. The grungy and old appearance of the head bust is a reflection of the statue's age and the effects of time and weathering on the marble. Such artifacts often carry a sense of history and the weight of the events they witnessed.

Image ID#: 28777 / Category: Arts, Architecture / Price: 499$

PURCHASE A LICENSE

Get a License & Immediate Download: This image is available under our Comprehensive All-Inclusive License, suitable for personal, non-profit, educational, business and commercial use.

Size	File Type	Pixels Inches	Price	Buy
Original size	JPG	6000 x 4000 px 20.00" x 13.33" @ 300 dpi	499.00

Original file max size / Image type and details:

High quality JPG: 6000x4000 Pixels / File size: 2.73 Mb.

© Copyright Notice: This image is the exclusive property of Boxist.com Photography, and is protected by copyright law. Unauthorized use of these images is prohibited. We reserve the right to pursue unauthorized users and to seek damages for copyright infringement.

antiquity archeology art artwork caesar carved classic classical emperor empire face head heritage imperial imperium king leader leadership male man marble portrait power roma roman rome ruler sculpture statue stone

Please note: While we strive to provide accurate descriptions for our images, please be aware that some descriptions may not be entirely accurate. Images may depict events, figures, symbols and descriptions may reflect the societal norms of their time, but may not align with current understanding as they are presented within their respective cultural or historical context.

Aurochs From The Ishtar Gate In Babylon

Glazed bricks depicting the Aurochs, which were part of the Ishtar Gate in Babylon during the reign of Nebuchadnezzar II (604–562 BC), are significant historical artifacts. The Ishtar Gate was one of the eight gateways to the city of Babylon and was dedicated to the Babylonian goddess Ishtar. The Aurochs, a species of wild cattle, were sacred animals in ancient Mesopotamian culture and were often depicted in art and architecture. The glazed bricks with Aurochs motifs were meticulously crafted and arranged to create an impressive and ornate entrance to the city.

Roman Marble Bust Of Emperor Marcus Aurelius

Roman marble bust of Emperor Marcus Aurelius, who reigned from AD 161 to 180. The bust is believed to originate from the Village of Kandilli in Lamunia and is associated with the Antonine Dynasty. It is isolated on a black background, creating a striking contrast that draws attention to the details and craftsmanship of the sculpture. The bust is sculpted from marble, a popular material for creating lifelike and durable statues during the Roman era. As a work of art from the Antonine Dynasty, the bust provides insight into the artistic style and imperial portraiture of the time. It represents a significant period in Roman history and offers a glimpse into the appearance and character of one of its notable emperors.

Nike Bearing Date Branch Relief

This relief depicts Nike, the winged goddess of Victory, holding a branch with dates. This relief is a decorative element that adorned the entrance of the Balat Gate and dates back to the 6th century. Nike is commonly depicted in ancient Greek and Roman art as a winged figure, symbolizing victory, strength, and triumph. In this relief, she is portrayed in a majestic and dynamic pose, capturing the essence of her divine attributes. Her wings extend behind her, emphasizing her ethereal nature and association with flight. The relief's placement at the entrance of the Balat Gate indicates its significance as a decorative element that welcomes and invokes a sense of victory to those passing through. The gate itself likely held historical and strategic importance, making the presence of the Nike relief even more meaningful.

Alexander the Great Marble Head Statue

This image portrays the head of Alexander the Great, crafted from marble during the Hellenistic period in the first half of the 2nd century BC. This sculpture is believed to have originated from Pergamon, an ancient city renowned for its artistic and cultural achievements. The head of Alexander the Great captures the likeness of the famed Macedonian king and military strategist. The use of marble as the medium for this sculpture is noteworthy. Marble was highly prized in the ancient world for its durability and the smooth texture it provided to sculptors. The skilled hands of the artist meticulously shaped the marble to bring out the intricacies of Alexander's features, ensuring a striking and lifelike representation.

Customers Area

Marcus Antonius Gordian I Head Statue