Bedouin On Camel At Well Painting Tiles Artwork

Size	File Type	Pixels Inches	Price	Buy
Original size	JPG	5616 x 3744 px 18.72" x 12.48" @ 300 dpi	499.00

Aurochs From The Ishtar Gate In Babylon

Glazed bricks depicting the Aurochs, which were part of the Ishtar Gate in Babylon during the reign of Nebuchadnezzar II (604–562 BC), are significant historical artifacts. The Ishtar Gate was one of the eight gateways to the city of Babylon and was dedicated to the Babylonian goddess Ishtar. The Aurochs, a species of wild cattle, were sacred animals in ancient Mesopotamian culture and were often depicted in art and architecture. The glazed bricks with Aurochs motifs were meticulously crafted and arranged to create an impressive and ornate entrance to the city.

The God Apollo Playing The Cithara

Marble statue of Apollo as a muscular young man playing the Cithara (Apollon Citharoedus), or Apollo playing the lyre, from the Roman period, 2nd century CE. From Miletus, Balat, Turkey.

Knight Holding Sword And Riding Horse Mural Painting

A mural painting depicting a knight, donning a helmet, riding on a majestic brown horse. The knight emanates an aura of valor and bravery as he confidently holds a sword in his hand. In front of the knight, a large white eagle soars through the air. The eagle symbolizes freedom, strength, and nobility, further emphasizing the knight's virtues and the ideals he upholds. The mural captures a sense of adventure and the spirit of chivalry, portraying the knight as a figure of honor and courage. The brown horse represents a steadfast companion, embodying loyalty and resilience.

The Evangelist Matthew Mosaic At The Catholicon Inside The Holy Sepulchre Church

In the corner of the Catholicon chapel inside the Holy Sepulchre Church in the old city of Jerusalem, a breathtaking mosaic painting of the Evangelist Matthew comes to life. The artistic masterpiece captures the essence of Matthew the Apostle, portrayed sitting on a chair with intricate details that reflect the craftsmanship of the mosaic. Matthew holds a book in his lap, symbolizing the Gospel attributed to him, and in his other hand, a feather pen poised to write. The meticulous rendering of these elements adds a sense of realism and depth to the mosaic, bringing the evangelist's persona to the forefront. Behind Matthew, the mosaic extends to depict a decorative wall of a castle building. The castle wall, adorned with ornate details, serves as a symbolic backdrop, suggesting the enduring strength and foundation of the Christian faith. An angel, perhaps a celestial messenger, gracefully hovers beside the castle, adding an ethereal touch to the composition. Atop the castle wall, the name "Evangelist Matthew" is inscribed in Latin letters, linking the visual narrative to the historical and spiritual context of the Christian tradition. The lettering serves as both an identifier and a testament to the role of Matthew in spreading the teachings of Christ. The scene unfolds as a harmonious blend of artistic expression and religious symbolism, creating a serene and contemplative atmosphere within the chapel. The mosaic becomes a visual journey into the spiritual legacy of Matthew, situated within the sacred confines of the Holy Sepulchre Church—a place that resonates with centuries of Christian history and reverence.

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Bedouin On Camel At Well Painting Tiles Artwork